![]() Elizabeth the Wonderworker trampled a dragon with her foot to stop a district from further decay from aforementioned dragon. George is possibly the most well-known, while St. There were several dragon-slaying saints.Before they could fly, medieval dragons fell from the trees right onto the heads of passers-by! In Natural History by Pliny the Elder: “The iaculus throws itself from the branches of trees dragons are dangerous not only to the feet but also fly like a missile from a catapult.”.Quick Medieval Dragon Facts Detail of a miniature of St Margaret emerging from the dragon, c. With that intro out of the way, let’s transport ourselves back in time and let our eyes feast upon medieval dragon art pieces to ooh and aah over. Because we’re not all developers, and sometimes it’s too much of a headache to troubleshoot everything by yourself. has a new site set-up service and other related services if you’re interested. It isn’t a huge site at the moment which makes it more manageable. ![]() I’ll post a short update about that once I’m done with the move. I’ll be trying out instead of for that merged website to relieve the hypertension I experience from trying to get a self-hosted WordPress properly set up. I’m also merging my professional and creative writing portfolio into one website so that I’ll be less burdened by web maintenance issues. I’ve noticed broken images in a couple of places and had to manually purge the cache in order to get it to load properly. ![]() I recently converted the website to https and am using DNS caching. The Dragonsinn printables shop has been set up and it should be launched within the next few weeks.Īs for future Dragonsinn Magazine issues, I’m aiming to eventually post them closer towards the middle instead of the end of the month.īefore I continue with this month’s medieval dragon art issue, could you let me know if you come across any broken images or pages on this site? This was an exciting post to put together, partly because I’ve always liked medieval history! Most artists and working photographers today use the giclee process to produce reproductions of their original artwork and photographs.Īs with any original art or fine art reproduction, it is recommended that prints are framed and displayed under glass to prevent color fade or shift over the years.In this issue, we’ll take a look at some mesmerizing medieval dragon art. The file is then printed with a high-resolution photo generation printer on a fine art paper. **the giclee process produces a high quality, fine art reproduction from a high-resolution digital file of an image. ![]() Prints ship in a heavy protective cardboard tube. Reproduction: Fine Art textured paper, pigment inks Original Medium: Tempera colors, gold leaf, and ink on parchment. To the Christian of the Middle Ages the dragon stood at one end of the scale, an archangel at the other for as the dragon was all darkness and hideousness, the archangel was all light and beauty and glory. The figure of a dragon, a monster part man, part brute, puzzled people, and they have all sorts of explanations to make of it. And the great dragon was cast out, that old serpent called the Devil, and Satan which deceiveth the whole world he was cast out into the earth, and his angels were cast out with him." "And there was war in heaven: Michael and his angels fought against the dragon and the dragon fought and his angels, and prevailed not neither was their place found any more in heaven. In the Book of Revelation, beginning at the seventh verse of the ninth chapter: Michael, who is also represented as the Archangel, or head of the whole company of angels, and most of these legends spring from a few passages in the Bible. Supplemented by decorated initials, elaborate borders and miniature illustrations in shining gold and colorful brilliant paints they were reserved for special books like prayer books and altar Bibles. Unique to the Middle Ages and early Renaissance, illuminated manuscripts were handcopied books on parchment, vellum or paper. It is printed on 100% cotton rag acid-free, heavyweight fine art paper with a luxurious textured watercolor paper finish and archival pigment inks to ensure permanence.Ĭreated for collectors, this reproduction IS NOT A POSTER on low quality, inexpensive paper. This reproduction is a new, individually printed and proofed, superior quality, giclee* process, fine art print using archival pigment inks to ensure permanence. Master of Sir John Fastolf (French, active before about 1420 - about 1450)įull Size Reproduction: Image: 14 x 9.8 inches. Reproductions of Medieval and Renaissance Illuminated Manuscripts
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